1998 “The Overflow of Powerful Feelings: Alexander Pope’s Treat-ment of Speech Functions in ‘Mary Gulliver to Captain Lamuel Gulliver.’” 第五屆三軍官校基礎學術研討會。頁一－頁三。
2004 “The Self-subversive Voice in Tennyson’s Maud.” 南台科技大學學報（第二十九期）。頁九－頁二十一。
2008 “The Jew of Malta: Barabas’s Loss of Subjectivity in the Game.”興國學報（第九期）。頁二七三──頁二八五。
2008 “The Chronotope of Oliver Twist: The Fusion of the Greek Romance and the Family Novel.” 國立台北大學人文集刊（第 六期）。頁一二八─頁一五四。
2009 “Thoreau’s ‘Solitude’ in Walden: The Marriage of Metaphor and Metonymy.” 真理大學人文學報（第八期）。頁二四九——頁 二七二。
--- (2010)。”The Conflict/Continuitybetween Renaissance and Neoclassicism:
MultivoicedPresentation of the Human Capability in Pope’s Essay on
Criticism.” 興大人文學報（第四十五期）。頁一〇七—頁一五〇
--- (2012)。 “Dialogue, Heterogeneity, and Essayon Criticism by Alexander Pope”
政大文山評論（Vol. 6 No. 1 December）。頁一〇三－頁一三九。
-- (2013)。 “Nature and Dialogue: The Conflict-ridden Authoritative Discourse of
